ABOUT THE ARTIST
I’m Amanda Jo, an artist based in Newcastle upon Tyne and known as “The Geordie Artist”.
My passion lies in hyper realism transforming a flat surface into something that feels alive. Through careful shading, depth, and detail, I create the illusion of form, expression, and emotion within each piece.
Every artwork begins as a blank canvas and is slowly brought to life through hours of patience, precision, and dedication to the craft.
My work focuses on capturing the subtle details that make a piece feel real, powerful, and personal.
Each piece I create is a reflection of my love for realism and the art of illusion.
FINE ART PRINTS
Each print is produced from my original artwork and printed as a museum-quality Giclée fine art print.
These prints are released as a limited edition of 100.
Every print includes a white border around the artwork, allowing it to be easily framed in standard frame sizes.
Printed on Innova Soft White Cotton 280gsm archival museum-grade paper using pigment inks.
To ensure authenticity and collectability, each piece comes with a hand-signed numbered Certificate of Authenticity.
Each print is produced from my original artwork and printed as a museum-quality Giclée fine art print.
These prints are released as a limited edition of 100.
Every print includes a white border around the artwork, allowing it to be easily framed in standard frame sizes.
Printed on Innova Soft White Cotton 280gsm archival museum-grade paper using pigment inks.
To ensure authenticity and collectability, each piece comes with a hand-signed numbered Certificate of Authenticity.
MIRRORED SOULS
Mirrored Souls is a collection born from the freedom of letting go.
This piece explores the female form without asking it to be perfect, polished or defined. The figure is reduced to the torso and body, removing the face and identity and leaving only the shape of the human form.
Colour is layered freely across the canvas, with no fixed intention and no rules about where it should sit. Brushstrokes are expressive, instinctive and deliberately unconstrained.
For me, this painting is about stepping away from the constant expectation of how things should be — how a body should look, how art should look, how colour should behave, how we should create.
It is about allowing the brush to move without permission.
A reminder that beauty doesn’t always live in perfection or control. Sometimes it lives in the freedom to simply make marks and see what happens.
Amanda
